{"id":357,"date":"2026-08-03T08:00:00","date_gmt":"2026-08-03T06:00:00","guid":{"rendered":"https:\/\/iconoclaste.net\/blog\/?p=357"},"modified":"2026-08-03T21:03:36","modified_gmt":"2026-08-03T19:03:36","slug":"bill-mortensen","status":"publish","type":"post","link":"https:\/\/iconoclaste.net\/blog\/2026\/08\/03\/bill-mortensen\/","title":{"rendered":"Bill Mortensen"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Photographe am\u00e9ricain, dernier grand ma\u00eetre du pictorialisme, William Herbert Mortensen fut l\u2019homme que Ansel Adams traita d\u2019\u00ab <mark style=\"background-color:#ff33ff\" class=\"has-inline-color has-white-color\">Ant\u00e9christ <\/mark>\u00bb.<br>Technique radicalement anti-puriste, il raye, peint, superpose, utilise le proc\u00e9d\u00e9 de destruction et d\u2019abrasion pour faire de ses tirages des quasi-peintures ou des gravures. Pour lui, la photographie n\u2019est pas un miroir du r\u00e9el, mais un instrument de vision.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"955\" height=\"1024\" src=\"https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen-955x1024.jpg\" alt=\"\" class=\"wp-image-358\" srcset=\"https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen-955x1024.jpg 955w, https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen-280x300.jpg 280w, https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen-768x824.jpg 768w, https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen-624x669.jpg 624w, https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/WilliamMortensen.jpg 1200w\" sizes=\"auto, (max-width: 955px) 100vw, 955px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Photographe am\u00e9ricain, dernier grand ma\u00eetre du pictorialisme, William Herbert Mortensen fut l\u2019homme que Ansel Adams traita d\u2019\u00ab Ant\u00e9christ \u00bb.Technique radicalement anti-puriste, il raye, peint, superpose, utilise le proc\u00e9d\u00e9 de destruction et d\u2019abrasion pour faire de ses tirages des quasi-peintures ou des gravures. Pour lui, la photographie n\u2019est pas un miroir du r\u00e9el, mais un instrument [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[107,109,108],"class_list":["post-357","post","type-post","status-publish","format-standard","hentry","category-maitres-iconoclastiques","tag-nude","tag-photo","tag-satanic-sludge"],"_links":{"self":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":1,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/357\/revisions"}],"predecessor-version":[{"id":359,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/357\/revisions\/359"}],"wp:attachment":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/media?parent=357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/categories?post=357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/tags?post=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}