{"id":327,"date":"2026-07-28T10:33:15","date_gmt":"2026-07-28T08:33:15","guid":{"rendered":"https:\/\/iconoclaste.net\/blog\/?p=327"},"modified":"2026-07-30T14:37:58","modified_gmt":"2026-07-30T12:37:58","slug":"htl","status":"publish","type":"post","link":"https:\/\/iconoclaste.net\/blog\/2026\/07\/28\/htl\/","title":{"rendered":"HTL"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Consanguin boiteux, nain mal\u2014fichu mais g\u00e9ant de l\u2019affiche, <mark style=\"background-color:#ff33ff\" class=\"has-inline-color has-white-color\">Henri de Toulouse-Lautrec<\/mark> reste l\u2019un des plus radicaux portraitistes de la modernit\u00e9. Issu de la noblesse, il choisit de tourner le dos aux salons et aux chasses \u00e0 courre pour s\u2019immerger dans le Paris sulfureux de Montmartre.<br>Quitte \u00e0 courir apr\u00e8s la renarde&#8230;<br>Peintre, dessinateur, lithographe et <s>f\u00e9tichiste<\/s> affichiste, il a fix\u00e9 pour toujours l\u2019\u00e9clat et la mis\u00e8re de la Belle \u00c9poque : les danseuses du Moulin Rouge, les prostitue\u0301es des maisons closes, les ivrognes des cabarets, les \u00e9toiles de music-hall.<br>L\u00e0 o\u00f9 d\u2019autres voyaient le scandale ou le pittoresque, Toulouse-Lautrec voyait l\u2019humanit\u00e9 \u2014 et il la peignait sans fard, avec une ligne nerveuse, une palette crue et une empathie rare.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"659\" src=\"https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/htl.jpg\" alt=\"\" class=\"wp-image-360\" style=\"width:655px;height:auto\" srcset=\"https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/htl.jpg 412w, https:\/\/iconoclaste.net\/blog\/wp-content\/uploads\/2026\/07\/htl-188x300.jpg 188w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><figcaption class=\"wp-element-caption\">Henry, comme d&rsquo;habitude, n&rsquo;a pas besoin de grand-angle pour \u00eatre compl\u00e8tement sur la photo&#8230;<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Consanguin boiteux, nain mal\u2014fichu mais g\u00e9ant de l\u2019affiche, Henri de Toulouse-Lautrec reste l\u2019un des plus radicaux portraitistes de la modernit\u00e9. Issu de la noblesse, il choisit de tourner le dos aux salons et aux chasses \u00e0 courre pour s\u2019immerger dans le Paris sulfureux de Montmartre.Quitte \u00e0 courir apr\u00e8s la renarde&#8230;Peintre, dessinateur, lithographe et f\u00e9tichiste affichiste, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[82],"class_list":["post-327","post","type-post","status-publish","format-standard","hentry","category-maitres-iconoclastiques","tag-photo-en-noir-et-blanc"],"_links":{"self":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":7,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/327\/revisions"}],"predecessor-version":[{"id":407,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/posts\/327\/revisions\/407"}],"wp:attachment":[{"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/media?parent=327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/categories?post=327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iconoclaste.net\/blog\/wp-json\/wp\/v2\/tags?post=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}